This volume accompanies the eponymous show at the Walker Art Center in Minneapolis, which is the first exhibition in North America to explore the range and depth of artist Sophie Calleâs practice across the past five decades.
Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calleâs astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself. The presentation features photography, video, installations and text-based works, highlighting the artistâs virtuosic use of different mediums to explore broadly recognisable and emotionally resonant themes.
Organised into four thematic sectionsââThe Spy,â âThe Protagonist,â âThe Endâ and âThe Beginningââthe book takes a new approach to some of Calleâs most acclaimed works including The Sleepers (1979) and Suite Vénitienne (1980), while also weaving in understudied works including Cash Machine (1991â2003) and Unfinished (2005). The catalog further explores this new examination of Calle's work with original writing by Henriette Huldisch, Eugenie Brinkeman, Aruna DâSouza and Courtenay Finn.